home *** CD-ROM | disk | FTP | other *** search
- <text id=94TT0843>
- <title>
- Jun. 27, 1994: Cinema:Heart Attack
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Jun. 27, 1994 An American Tragedy
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA/CINEMA, Page 71
- Heart Attack
- </hdr>
- <body>
- <p> Macaulay Culkin's latest is desperately sentimental
- </p>
- <p>By Richard Schickel
- </p>
- <p> Now that Macaulay Culkin is a teenager, vulnerability, the quality
- that has prevented his wise child from turning into a wise guy,
- comes harder for him. Now that Ted Danson is a movie star, or
- thinks he is, stupidity comes harder for him. Danson's character
- in Getting Even with Dad is supposed to be an inept thief, but
- the actor doesn't want to dig into dumbness, which is where
- the laughs, if any, might be. Untutored is the worst he'll allow
- himself to seem. Untutored, but capable of sensitivity, of love,
- of being a '90s beau ideal, if given a chance.
- </p>
- <p> Providing that chance is the job of the half-pint, in a movie
- so desperately maneuvered that it's possibly unfair to blame
- Danson for defending himself against it. Culkin plays Timmy,
- the son whom widowed Ray hasn't seen for three years, and he
- arrives just as his dad and two confederates are about to rob
- a coin collection. This they manage with a cleverness that belies
- their alleged incompetence. But the boy steals the loot, and
- will give it back only if Ray will act the good father for a
- week--you know, ball games, amusement parks, miniature golf.
- Father and son bond, of course, and along the way Timmy does
- a little matchmaking, helping Pop and the cop who's trailing
- him (Glenne Headly) fall in love.
- </p>
- <p> Timmy is a calculating little guy, the creation of calculating
- big guys. Like everyone else in the movie, he appears to have
- been morphed into existence by people who aren't writing or
- directing in the usual sense of those words but are operating
- a computer whose keypad is marked with a few simple signs: sentiment,
- sweetness, lovable mischievousness. The coldness with which
- these filmmakers pursue warmth is--no other word for it--bone chilling.
- </p>
- </body>
- </article>
- </text>
-
-